Prakash Jha: Small Films Have Space in Theatres, OTT Shift Due to Commerce

National Award-winning filmmaker Prakash Jha, who also runs a multiplex, provides ground-level insight into the theatrical ecosystem. He states that while there is enough space and market for every film, the high commerce and overhead costs of theatrical releases often push small-budget films to opt for OTT platforms. Jha reveals that his multiplex in Jamshedpur currently runs 12 films simultaneously, demonstrating available screen space. He emphasizes that the key for filmmakers is to create content that connects and engages the audience effectively.

Key Points: Prakash Jha on Theatrical Release Challenges for Small Films

  • Small films lose out on screens to big releases
  • Theatrical release involves high costs for hiring and publicity
  • Overheads can diminish a small film's margin
  • OTT releases are often a commercial decision
  • There is market space for films of all budgets
2 min read

Prakash Jha shares insights into ground realities of theatrical ecosystem and its commerce

Filmmaker Prakash Jha explains why small films skip theatres for OTT, citing cost overheads, while asserting there is market space for all.

Prakash Jha shares insights into ground realities of theatrical ecosystem and its commerce
"There are a lot of small budget films which make their way to the theatres... there is a good chance that films will come to theatres. - Prakash Jha"

Mumbai, March 12

The National Award-winning filmmaker Prakash Jha has spoken up on the issue of smaller films losing out to big ticket entertainers in terms of screen sharing.

The filmmaker spoke with IANS at his office in the Andheri West area of Mumbai. He himself runs a multiplex in Jamshedpur, and it gives him clear insight about the ground realities of the theatre ecosystem in India.

He said that there is enough space for every film, and every film has its own market. The decision to skip the theatrical route and release content directly on OTT often results from the commerce involved in the theatrical release of the film. The makers skip the theatrical releases of small films because putting a small budget film in the supply chain often leads to overheads stacking up effectively diminishing the margin of the film.

He told IANS, "There are a lot of small budget films which make their way to the theatres. I just heard from my multiplex in Jamshedpur, you will be surprised to know that there are 12 films running, at the same time, one show, two shows, four shows, just like the films have their own language versions. So today, there is a good chance that films will come to theatres. Some makers avoid theatrical releases because there is a cost involved in hiring the theatre, publicity, or the cost of the hardware and software we sell, that's a different thing. But there is an opportunity, there are better opportunities now".

"When we make films, we have to think about what kind of films we should make, how to contact the audience, how to engage them. Whoever engages you, whatever you want to say, no matter how vulnerable you are, if it doesn't connect, then it doesn't work", he added.

- IANS

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Reader Comments

S
Sarah B
As someone who loves indie cinema, this is encouraging! If a multiplex in Jamshedpur can run 12 films, there is hope. Maybe the solution is more flexible show timings for smaller films instead of prime slots. The cost of distribution is the real villain here.
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Priya S
Totally agree with his last point. "If it doesn't connect, it doesn't work." So many films today feel disconnected from our realities. We need stories that resonate with the common Indian, not just lavish sets and foreign locations. OTT has been a blessing for such content.
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Rohit P
Respectfully, I think he's being a bit optimistic. In my city, single screens are dying, and multiplexes are packed with only the big releases. The "overheads" he mentions are a death sentence for small producers. OTT is not a choice, it's a necessity for survival now.
K
Karthik V
Great insights from a filmmaker who actually runs a theatre! The commerce is brutal. A small film needs to sell almost every ticket to break even on a multiplex screen, while a star film can run with half-empty halls and still make profit. The system is skewed. 🎬
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Michael C
Interesting perspective. The parallel with the global film industry is clear. The key is "engagement." Whether it's a theatre or OTT, if the story is compelling, people will find it. Maybe the future is hybrid releases for certain films.

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