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O.P. Nayyar’s Granddaughter Reveals His Early Opinions and Musical Philosophy

Niharica Raizada, granddaughter of late music composer O.P. Nayyar, has revealed that he was very opinionated from a young age. She shared that he always questioned the element of aggression in musical education, preferring to learn with grace. Niharica also stars in the film 'Mercy', which explores the sensitive subject of passive euthanasia. She praised her co-actors, including Adil Hussain, for their support and inspiration.

Key Points: O.P. Nayyar’s Granddaughter on His Musical Views

  • O.P. Nayyar was opinionated since young age
  • He resisted aggression in music education
  • He practiced and composed on his own
  • Niharica Raizada stars in 'Mercy' about passive euthanasia
2 min read

Niharica Raizada says O. P. Nayyar was very opinionated since young age, resisted aggression in music

Niharica Raizada, granddaughter of late composer O.P. Nayyar, shares how he was opinionated from a young age and resisted aggression in music education.

"Why should there be aggression in something which is supposed to be full of love? - O.P. Nayyar (via Niharica Raizada)"

Mumbai, April 30

The late music composer O. P. Nayyar's grand-daughter Niharica Raizada, who is receiving a lot of positive response to her work in 'Mercy', has shared that the late music composer was opinionated since he was young. She also shared that he would always question the element of aggression in musical education.

She told IANS, "He was very opinionated even at that time. He would say, 'Why should there be aggression in something which is supposed to be full of love?'. So, that was his basic ideology that I've come here to learn and I should be taught with grace and not taught from anger. And that is why he never then even considered entering a musical class, so to speak, because he found it very negative".

He practiced on his own, composed on his own, sang for All India Radio. And the rest is history. He got his first break from All India Radio. And after that, he got his opportunities from Mumbai, especially with the Mukherjee family", she added.

Meanwhile, Niharica Raizada essayed the role of Jiya in 'Mercy'. She is the wife of Shekhar, the film's protagonist, set within a close-knit yet complex family. The film explored the sensitive and thought-provoking subject of passive euthanasia, delving into the emotional and moral complexities surrounding end-of-life decisions within a family.

Talking about the film, she said, "'Mercy' is a project that is very close to my heart. The character challenged me in ways I hadn't experienced before, and it pushed me to grow as an actor. I truly believe the story will connect with audiences and leave a lasting impact".

"It's been an incredible journey working with such a passionate team, and I'm excited for everyone to watch it. Working closely with my co-actors made the experience even more special, performing alongside Raj Vasudeva during the audition process and later on set really helped shape my character. Sharing screen space with someone as accomplished as Adil Hussain was truly inspiring, his craft, humility, and presence bring so much depth to every scene. The entire team brought such warmth and support, and that energy reflects in the film", she added.

- IANS

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Reader Comments

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Priya S
This is such a refreshing perspective! In a time when many composers were trained under strict gurus, O. P. Nayyar's approach of learning with grace and love is inspiring. It's a lesson for modern educators too—teaching should be nurturing, not harsh. 🎵
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Vikram M
Interesting to hear this from his granddaughter. O. P. Nayyar's music defined an era—from "Yeh Dil Na Hota Bechara" to "Isharon Isharon Mein". He was indeed a rebel, but always within the constraints of melody. Respect for standing up to aggression in music schools.
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Ananya R
I love that he questioned the aggression in musical education. So many traditional systems rely on fear, but true art comes from love. Also, glad to see 'Mercy' tackling passive euthanasia—such a sensitive topic needs thoughtful cinema. Kudos to Niharica! ✨
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Michael C
While I respect O. P. Nayyar's genius, his "learning without aggression" philosophy might have limited his exposure to rigorous training. Still, self-taught brilliance speaks volumes. Niharica seems passionate, and the film topic is brave for Indian cinema.
S
Siddharth J
O. P. Nayyar's story is proof that passion beats rigid systems. He carved his own path, and his music still echoes. As for 'Mercy', passive euthanasia is a taboo topic in India—it's bold to explore it. Let's hope it sparks meaningful conversations.

We welcome thoughtful discussions from our readers. Please keep comments respectful and on-topic.

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