Key Points

The Tokyo International Film Festival has revealed its full 2025 lineup featuring major Asian stars in high-profile productions. Fan Bingbing takes on a transformative role as a village widow practicing sorcery in "Mother Bhumi" while Zhang Ziyi headlines the murder mystery "She Has No Name." The festival opens with an Everest climbing drama and closes with Chloe Zhao's Shakespeare-inspired "Hamnet." Running from October 28 to November 5, the event showcases diverse international cinema across multiple Tokyo venues.

Key Points: Fan Bingbing Zhang Ziyi Star in Tokyo Film Festival 2025 Lineup

  • Fan Bingbing reinvents herself as sorcery-practicing widow in competition film Mother Bhumi
  • Zhang Ziyi stars in murder mystery She Has No Name revisiting China's unsolved case
  • Chloe Zhao's Shakespeare-inspired Hammet closes festival starring Jessie Buckley
  • Festival opens with Sakamoto Junji's Everest film Climbing for Life starring Yoshinaga Sayuri
3 min read

Tokyo International Film Festival 2025: From 'Mother Bhumi' to 'She Has No Name', film festival unveils full lineup

Fan Bingbing's 'Mother Bhumi' and Zhang Ziyi's 'She Has No Name' headline Tokyo International Film Festival 2025 with Chloe Zhao's 'Hamnet' closing the event.

"Fan Bingbing plays a widowed village woman navigating farm work by day and employing sorcery by night - Variety"

Tokyo, October 1

The 38th Tokyo International Film Festival (TIFF) will showcase a high-profile lineup headlined by two of Asia's biggest stars: Fan Bingbing in Chong Keat Aun's 'Mother Bhumi' and Zhang Ziyi in Peter Ho-sun Chan's 'She Has No Name,' reported Variety.

Competition title 'Mother Bhumi' marks a striking reinvention for Fan Bingbing, who plays a widowed village woman navigating farm work by day and employing sorcery by night to protect her community.

The world premiere drama sees her confront the truth behind her husband's death.

A high-profile gala is Peter Ho-sun Chan's 'She Has No Name,' which has previously played Cannes, Shanghai and Toronto, starring Zhang Ziyi as a Shanghai housewife accused of her husband's grisly murder in the 1940s, with Lei Jiayin co-starring. The film revisits one of China's most notorious unsolved cases, reported Variety.

TIFF had previously confirmed its opening, centrepiece and closing films, all by marquee directors.

Sakamoto Junji's 'Climbing for Life,' chronicling Everest pioneer Junko Tabei, opens the festival with Yoshinaga Sayuri leading the cast.

The centrepiece slot is reserved for veteran Yamada Yoji's 'Tokyo Taxi,' a human drama starring Chieko Baisho and Takuya Kimura.

Closing the edition is Oscar-winner Chloe Zhao's 'Hamnet,' toplined by Jessie Buckley and Paul Mescal, which dramatises the loss that inspired Shakespeare's 'Hamlet,' reported Variety.

The Competition Section in the TIFF blends emerging voices with seasoned auteurs.

Nakagawa Ryutaro closes his trilogy with 'Echoes of Motherhood,' while Amos Gitai will unveil the hybrid docu-fiction 'Golem in Pompei,' reported Variety.

Hailey Gates' 'Atropia,' produced by Luca Guadagnino, offers a satirical look at U.S. war training grounds, while Hungarian provocateur Gyorgy Palfi delivers 'Hen,' a fable shot in Greece.

Further titles include Alessio Rigo de Righi and Matteo Zoppis' 'Heads or Tails?,' and Palestinian filmmaker Annemarie Jacir's epic 'Palestine 36,' reported Variety.

Cambodian master Rithy Panh returns with 'We Are the Fruits of the Forest,' a documentary shot over four years in northern highlands communities.

Nippon Cinema Now section at TIFF spotlights the current landscape of Japanese filmmaking, from rising independent voices to established auteurs and international collaborations.

According to Variety, this year's lineup includes Keiko Tsuruoka's 'Saikai Paradise,' Yukari Sakamoto's 'White Flowers and Fruits,' Shigeru Kobayashi's 'In Their Traces,' Yang Liping's Japan-China co-production 'Echoes of the Orient,' and Akio Fujimoto's multinational project 'Lost Land.'

TIFF's Asian Future platform introduces works from emerging regional filmmakers, including Roh Young-wan's Korean coming-of-age drama 'Halo,' Michael Kam's 'The Old Man and His Car' from Singapore, Park Young-jae's sports-themed 'Tomorrow's Min-Jae,' and Kangdrun's Tibetan feature 'Linka Linka.'

Gala Selections feature global auteurs such as Ari Aster with 'Eddington,' as well as Korean genre fare like Lim Dae-hee's 'Holy Night: Demon Hunters', reported Variety.

World Focus brings a broad international spread, including Alejandro Amenabar's 'The Captive,' Michel Franco's 'Dreams' and Vivian Qu's 'Girl on Wire.'

Tokyo Film Festival 2025 will run from October 28 to November 5. It will screen at venues across central Tokyo, including Toho Cinemas Hibiya, Humantrust Cinema Yurakucho and Marunouchi Piccadilly.

- ANI

Share this article:

Reader Comments

A
Arjun K
Impressive lineup! But I wish there were more Indian films represented. We have such incredible cinema that deserves global platforms like TIFF. Hope to see more South Asian content in future editions.
R
Rohit P
The diversity in this lineup is amazing! From Tibetan features to Japan-China co-productions. This is what true cultural exchange looks like. Wish I could attend and experience this cinematic feast! 🌏
S
Sarah B
Chloe Zhao closing the festival with 'Hamnet' is brilliant! After her Oscar win, it's great to see her continuing to push boundaries. The Shakespeare connection makes it even more intriguing for literature lovers.
K
Karthik V
The Asian Future section featuring emerging filmmakers is exactly what our regional cinema needs. Young talent from Korea, Singapore, Tibet getting international exposure - this is how we build the next generation of great directors.
M
Michael C
While the lineup looks impressive, I hope the festival maintains a balance between commercial appeal and artistic merit. Sometimes these big festivals focus too much on star power rather than genuine storytelling quality.
A
Ananya R
Zhang Ziyi in 'She Has No Name' sounds like another powerful performance from her! The 1940s Shanghai setting and unsolved murder case premise has me hooked. Wish we

We welcome thoughtful discussions from our readers. Please keep comments respectful and on-topic.

Leave a Comment

Minimum 50 characters 0/50