Key Points

Indian cinema veterans gathered at WAVES 2025 to discuss the future of restored classics. The panel, moderated by Taran Adarsh, emphasized digital accessibility and government initiatives like the National Film Heritage Mission. Industry experts highlighted the challenges of preserving films while meeting modern audience expectations. The discussion underscored the cultural importance of safeguarding India’s cinematic legacy.

Key Points: Indian Cinema Experts Discuss Restored Classics at WAVES 2025

  • Experts highlight digital accessibility for classics
  • National Film Heritage Mission boosts restoration
  • Balancing nostalgia with modern audience demands
  • Challenges in preserving film reels and digital data
3 min read

Reviving the Classics: Indian cinema experts discuss future of restored films at WAVES 2025

Industry leaders like Taran Adarsh and Kamal Gianchandani explore film restoration challenges and opportunities at WAVES 2025.

"Classic films are more than entertainment—they are a reflection of our collective cultural identity and heritage. – Prakash Magdum"

Mumbai, May 3

Indian cinema took center stage at WAVES 2025 with a panel discussion titled "Beyond Nostalgia: The Business of Restored Classics" on restoring cinematic gems for contemporary audiences.

Industry stalwarts emphasised the importance of preserving India's cinematic legacy, highlighting the challenges and opportunities in restoring classic films. With the help of cutting-edge technology and government initiatives like the National Film Heritage Mission, they're working to make these treasures accessible to new generations, according to the Ministry of Information & Broadcasting press release

Curated under the expert moderation of film trade analyst Taran Adarsh, the session brought together industry stalwarts to deliberate on the significance, challenges, and future of restoring cinematic gems for contemporary audiences.

The conversation opened with Kamal Gianchandani, a key voice in the film exhibition and distribution space, who emphasised the urgent need to make classics accessible on digital platforms. "So many of our films disappear from public memory because they aren't readily available. Audiences constantly tell us they want to revisit the classics," he noted, adding that despite the deluge of new content, the industry must work to preserve its foundational works.

Shehzad Sippy, representing the legacy of iconic cinema, reflected on the evolution of filmmaking and the unique storytelling methods of earlier decades. "Filmmaking was a different art then, and audiences today are curious to experience that era. But restoration demands significant investment of money, time, and skilled resources," he said.

Film producer and actor Jackky Bhagnani highlighted the unpredictable nature of audience preferences. "People's time is precious--they want quality content. What resonates is often subjective, seasonal, or driven by mood. But regardless of the era, we always strive to give our best," he stated.

Bringing a policy and heritage perspective, Prakash Magdum, Additional Director General, PIB & CBC, Ahmedabad, shed light on government's efforts to preserve India's cinematic legacy.

"Indians are deeply nostalgic. While the older generation seeks to relive the magic of their youth, the younger generation is eager to experience the classics they've heard so much about. Film restoration is a meticulous process involving multiple stakeholders, but with cutting-edge technology, we're able to stay true to the original vision," he explained.

He further elaborated on the ambitious National Film Heritage Mission, an initiative led by the Government of India aimed at preserving, digitizing, and restoring cinematic treasures, added the release.

"Classic films are more than entertainment--they are a reflection of our collective cultural identity and heritage. The challenge is enormous, especially with factors like temperature and humidity affecting film reels, and the growing complexities of digital data preservation. Yet, this responsibility must be met with urgency and dedication," Prakash Magdum said.

- ANI

Share this article:

Reader Comments

R
Rahul K.
This is such an important initiative! Our golden era films like Pyaasa and Mughal-e-Azam are national treasures. The government should allocate more funds for restoration - it's not just entertainment but preserving our cultural DNA. Youngsters today only know about Marvel movies, they need to see Guru Dutt's genius!
P
Priya M.
While I appreciate the effort, I hope they don't just focus on Hindi cinema. Regional classics from Bengal, Kerala, and Tamil Nadu deserve equal attention. Satyajit Ray's films are literally crumbling! Also, restored films should be made affordable for students and film enthusiasts 🎥
A
Arjun S.
Great initiative but implementation is key. Many government projects start with fanfare but lose steam. They should partner with OTT platforms for wider reach. Imagine having restored classics on Netflix/Prime with proper subtitles for global audiences! That would be real soft power for India.
S
Sunita P.
My grandfather used to tell me about watching Mother India in theaters. Would love to experience that magic with him if they restore it properly! But please don't "modernize" the classics - keep the original feel intact. Some colorized versions of B&W films look terrible 😅
V
Vikram J.
Honestly, who will watch these? The younger generation has zero patience for old pacing and melodrama. Instead of spending crores on restoration, invest in new filmmakers who can reinterpret classics for today's audience. That would be money better spent.
N
Neha T.
They should create special screenings in schools and colleges with discussions about film history. Many students don't even know about parallel cinema movement! Also, please restore the original songs properly - the remastered versions often lose the warmth of old recordings.

We welcome thoughtful discussions from our readers. Please keep comments respectful and on-topic.

Leave a Comment

Minimum 50 characters 0/50