Madhuri Dixit Reveals Her Pact with Saroj Khan—And Why She Later Regretted It

Madhuri Dixit recently opened up about her legendary collaboration with choreographer Saroj Khan. She shared a fascinating story about a pact they made to never repeat dance steps in their songs. Dixit explained how Saroj Khan was instrumental in teaching her how to perform for the camera, moving from stage dancing. She continues to honor Khan as a cherished mentor and guiding force in her career.

Key Points: Madhuri Dixit Recalls Dance Pact with Saroj Khan

  • Madhuri Dixit recalls her iconic dance partnership with the late choreographer Saroj Khan
  • She reveals a pact to never repeat dance steps, which Saroj later regretted
  • Dixit details the intense rehearsal process to master camera-facing dance for 'Ek Do Teen'
  • She honors Saroj Khan as her guiding Guru, especially during Guru Purnima
4 min read

...she later regretted it: Madhuri Dixit recalls pact with Saroj Khan to never repeat dance steps

Madhuri Dixit shares memories of her legendary partnership with choreographer Saroj Khan, revealing a unique pact they made and the hard work behind iconic songs.

"We had a pact that we won’t repeat the movements ever... which she later regretted. - Madhuri Dixit"

Mumbai, December 1

Whether it's 'Ek Do Teen' from 'Tezaab' or 'Choli Ke Peeche' from 'Khalnayak', actor Madhuri Dixit Nene has delivered countless memorable dance performances over her four-decade-long career. The credit for translating her graceful charm to the screen through unforgettable choreography undoubtedly goes to the late legendary choreographer Saroj Khan.

Fondly known as 'Masterji', Saroj Khan collaborated with many leading actresses in Bollywood, but her work with Madhuri Dixit has remained particularly legendary.

In a recent interview with ANI, Madhuri walked down memory lane, fondly recalling her professional and personal association with Saroj Khan.

Remembering how Saroj Khan played a pivotal role in honing her dance skills for the camera, she shared, "I had worked with Saroj Khan even before Tezaab. We did Uttar Dakshin and a few films like that in which there was a lot of Indian dancing. So when N Chandra (Director of Tezaab) said, I want to do this stage performance and which is like hardcore Bollywood dancing, she said, You know what? I know you're a good classical dancer, but I don't know if you can do a Bollywood song. So I want you to practice. And I'm like, yes, I'm there. I'm practising. Even when I was dancing in films up to that point, I knew I was a good dancer, but I couldn't do it the way it's supposed to be done because I was so used to dancing on stage. And there are no restrictions on stage, and here it's a camera. And you have to talk to the camera while you're dancing."

"I found that a little hard. Like, you know, you're dancing here, but you have to give your right profile. And then you're doing some movement, which is on the left. It used to confuse me a lot. And I said, yes, I want to rehearse for this so that I get my, you know, my movements right. So when I'm on stage, all I can concentrate on is the camera angles and how it's being shot, and I understand that whole dynamic. We practised with Sarojji. We did it again and again and again. So people say, you're so effortless.... But I know how much we worked hard to learn the movement, to do it again and again," she added.

Madhuri also revealed that she had a pact with Saroj Khan never to repeat dance steps. However, Saroj Khan later "regretted" it.

"We had a pact after Tezaab, we knew that we were going to do a lot of songs together because I loved her style and she loved my style because she thought I did justice to her movements and everything. And we had a pact that we won't repeat the movements ever. Like, we will make every song look like a new song...every hook step should be different from the others. And we made the pact, which she later regretted," she recalled.

"Because I have an elephant's memory for movements. If she showed me a movement, I said, Why? We've done this in that song. So she's like, I regret ever saying that to you," Madhuri reminisced.

Saroj Khan, who passed away on July 3, 2020, choreographed several memorable numbers for Madhuri, including 'Channe Ke Khet Mein' (Anjaam), 'Dola Re Dola' (Devdas), 'Maar Daala' (Devdas), and 'Ghar More Pardesiya' (Kalank).

Madhuri cherishes Saroj Khan as her guiding Guru, and every Guru Purnima, she wholeheartedly honours her, offering a deeply felt tribute to the mentor who helped shape her craft.

"Dancing in front of the camera and dancing on stage are two different things. Saroj ji taught me how to romance the camera when we worked on Ek Do Teen. Such was the song's popularity that Filmfare had to create the Best Choreography category to honour Saroj ji. I will miss her resolve to push the envelope all the time," the 'Devdas' actor mentioned in one of her Instagram posts.

- ANI

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Reader Comments

R
Rohit P
"I have an elephant's memory for movements" 😂 That's our Madhuri! This article is a lovely tribute. It shows that even legends had to practice hard. Their collaboration defined an era of Bollywood dance.
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Aman W
Respectfully, while their work is iconic, the pact to never repeat steps might have limited other choreographers later. Sometimes a signature step becomes part of pop culture (like SRK's arms open). Not repeating can feel like reinventing the wheel unnecessarily.
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Sarah B
As someone who grew up watching these songs on TV, this brings back so many memories. The discipline and guru-shishya parampara is something truly special. We don't see such dedicated partnerships anymore.
K
Karthik V
Ek Do Teen literally changed the game! Filmfare created a new award category because of it. That's legacy. Madhuri's respect for her Guru, remembering her every Guru Purnima, is so heartwarming. True Indian values. ❤️
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Nisha Z
The part about learning to "romance the camera" is key. It's not just about dancing, it's about performance. That's why her songs feel so personal, like she's dancing just for you. Masterji was a genius teacher.

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