Key Points

Ukhrul’s black pottery is a centuries-old craft shaped by Tangkhul Naga artisans using traditional, eco-friendly methods. Made from crushed serpentine stone and clay, these handmade pots are prized for their durability and natural heat retention. Over 200 families in Nungbi village rely on this craft as their primary livelihood. As demand grows, this tribal heritage stands as a testament to sustainable artistry and cultural preservation.

Key Points: Ukhrul’s Tangkhul Naga Black Pottery Thrives as Tribal Heritage

  • Entirely handmade without a potter’s wheel
  • Made from crushed serpentine stone & natural clay
  • Eco-friendly, heat-retentive, and non-toxic
  • Supports 200+ families in Nungbi village
2 min read

Black pottery from Ukhrul shines as a symbol of tribal heritage

Discover Ukhrul’s handmade black pottery—crafted sustainably by Tangkhul Naga artisans, preserving centuries of tribal tradition and eco-friendly artistry.

"Pottery is the main source of income for our village. – Thot Reiyo, Ukhrul artisan"

Ukhrul, June 26

In the scenic hills of Ukhrul district lies Nungbi village, home to a centuries-old craft that speaks of tradition, resilience, and community -- the famed black pottery of the Tangkhul Naga tribe.

What sets this pottery apart is its entirely handmade process. Without using a potter's wheel, artisans shape vessels from a unique blend of crushed serpentine stone and natural clay. The stone, sourced from deep forest areas, is hand-pounded into fine powder, mixed with water, and moulded into beautiful utensils. The final product is sun-dried and fired in a traditional kiln, all using eco-friendly methods.

Somi Sharon, a local artisan, explained, "We collect materials from remote areas and grind them by hand. Around 200 families in our village are engaged in this craft. The main income of these family members comes from making pots. We export it to many places in India."

The black pottery is more than a utilitarian craft; it's a symbol of sustainable living. Naturally non-toxic and heat-retentive, the wares are perfect for both cooking and serving, and are gaining popularity in restaurants and eco-conscious households.

Thot Reiyo, another artisan, said, "We make different kinds of pots, kettle cups, and other utensils. Pottery is the main source of income for our village. Mostly, we make pots during the winter season, as rain prevents us from working. However, if we have proper shelter, we can continue making pots even in the rainy season. We sell our pots beyond Manipur, including in Delhi, Mumbai, and Nagaland."

As global interest in indigenous crafts grows, Ukhrul's black pottery is gaining recognition as a beacon of India's tribal artistry. It embodies a rich legacy passed down through generations -- a blend of nature, tradition, and skilled hands.

Preserving this heritage craft is not just about supporting livelihoods; it's about honouring the deep cultural roots that define the spirit of Manipur's hill communities.

- ANI

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Reader Comments

P
Priya K.
What a beautiful tradition! 🇮🇳 We need to support such indigenous crafts more actively. I would love to buy these pots - does anyone know if they're available online? The eco-friendly aspect makes them even more special.
R
Rahul S.
Amazing craftsmanship! But I wonder why the government hasn't set up proper shelters for them to work during monsoons. This could boost production and help preserve the art. Our northeastern states have so much untapped potential.
A
Ananya M.
The dedication of these artisans is inspiring! Hand-pounding stones into powder - that's real hard work. We urban Indians often complain about small things while these people create magic with bare hands. 🙏
V
Vikram J.
This is exactly the kind of heritage we should be promoting under 'Vocal for Local'. Instead of buying expensive imported cookware, let's support our own artisans. Does anyone have contact details of these potters?
S
Sunita R.
The heat-retentive quality sounds perfect for Indian cooking! My grandmother used similar pots in our village. Modern cookware can't match the taste of food cooked in traditional clay pots. Hope this craft gets the recognition it deserves.
K
Karan P.
While I appreciate the craft, I'm concerned about the environmental impact of sourcing serpentine stone. Are there sustainable mining practices in place? We must preserve both the craft AND the forests it depends on.
N
Neha T.
This makes me so proud of our diverse cultural heritage! Each region of India has such unique treasures. Would be wonderful if

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