Shekhar Kapur Announces 'Masoom' Sequel, Says AI Lacks Human Madness

Veteran filmmaker Shekhar Kapur has announced a sequel to his 1983 classic 'Masoom', tentatively titled 'Masoom: The Next Generation'. At the International Film Festival Delhi, he discussed how AI tools are breaking budget barriers, allowing low-resource filmmakers to create high-scale visuals. However, Kapur emphasized that AI is not instinctive or intuitive and cannot generate original human emotion or madness. He also expressed strong confidence in Indian storytelling, urging filmmakers to adapt their language for global audiences using epics like the Mahabharat.

Key Points: Shekhar Kapur Announces Masoom Sequel, Talks AI & Cinema

  • Masoom sequel announced
  • AI democratizes filmmaking
  • AI lacks human instinct
  • Indian stories have global potential
  • Need to bridge cultural gaps
2 min read

Shekhar Kapur announces 'Masoom' sequel, discusses AI and Indian cinema's global future at IFFD 2026

Filmmaker Shekhar Kapur announces 'Masoom' sequel at IFFD 2026, discusses AI's role in filmmaking and Indian cinema's global storytelling potential.

Shekhar Kapur announces 'Masoom' sequel, discusses AI and Indian cinema's global future at IFFD 2026
"Today, a child in 30,000 will make a film worth 300 crores. - Shekhar Kapur"

New Delhi, March 29

Veteran filmmaker Shekhar Kapur has officially announced the sequel to his acclaimed 1983 classic 'Masoom'.

Tentatively titled 'Masoom: The Next Generation', the upcoming film will reunite original cast members Naseeruddin Shah and Shabana Azmi, alongside Manoj Bajpayee and a fresh ensemble of actors.

Kapur revealed the project during an interactive media session at the International Film Festival Delhi (IFFD) 2026, where he also shared extensive insights into the evolving landscape of global cinema and the growing impact of Artificial Intelligence.

Addressing the intersection of technology and art, Kapur highlighted AI's role in democratizing the filmmaking process.

He noted that AI tools are breaking traditional barriers of budget and scale, allowing a young filmmaker with minimal resources to create visuals comparable to a high-budget cinematic production.

"Today, a child in 30,000 will make a film worth 300 crores," he said.

Kapur reflected on the analog era, recalling how it once took three hours to light a celluloid shot and how actors preferred specific cameras.

He observed that cinema has always created its own reality, but today, AI tools can instantly generate that reality from a simple written paragraph.

Despite this technological leap, Kapur emphasized the inherent limitations of AI, defining it as an algorithmic scraping tool devoid of true human instinct.

"AI is not instinctive... it is not intuitive," he remarked. He argued that while AI can replicate previously expressed feelings, it cannot generate original emotion, experience the fear of death, or fall in love.

Highlighting human unpredictability, he added, "I am mad sometimes. AI can't be mad. Not as mad as I can be. So, I must use that madness."

For Kapur, the primary challenge for modern directors is to cultivate their human intuition to outpace artificial intelligence.

Shifting focus to the global box office potential of Indian cinema, Kapur expressed immense confidence in the country's storytelling heritage.

He cited the epic Mahabharat as an unparalleled narrative, stating, "No one has ever told a story like Mahabharat. We are storytellers to the world... We need to find out how to tell stories so that the rest of the world understands them... Our filmmakers are just as good.."

To achieve global resonance, he urged filmmakers to bridge cultural gaps by adapting their storytelling language so international audiences can easily understand Indian folktales.

- ANI

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Reader Comments

P
Priya S
His take on AI is so balanced and insightful. Yes, it can help with visuals and budget, but the heart of a film will always be human emotion. "AI can't be mad" - loved that line! Also, completely agree about the Mahabharat. We have the richest stories, we just need to present them to the world in a way they connect with.
R
Rohit P
Excited for the sequel, but a little nervous. Sometimes sequels to beloved classics don't capture the same magic. Hope they focus on a strong script and not just rely on nostalgia. Kapur is a genius though, so I have faith.
S
Sarah B
As someone from outside India, his point about adapting storytelling language is crucial. I loved RRR and it opened a door for me to explore more Indian cinema. If filmmakers can make our cultural contexts more accessible without losing their essence, the global audience is ready.
V
Vikram M
"A child in 30,000 will make a film worth 300 crores." This is the most exciting part for me. AI can truly democratize filmmaking in India, giving voice to so many in small towns with incredible stories. The future is bright for Indian cinema on the world stage. Jai Hind!
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Michael C
While I appreciate his vision, I feel he might be slightly underestimating how quickly AI is evolving. The line between algorithmic scraping and something resembling "intuition" is blurring. The challenge for human artists will be even greater in 5 years. Still, his emphasis on human madness is poetic and true.

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