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Manoj Muntashir Reveals How Shankar-Jaikishan Started Title Songs Trend in Bollywood

Manoj Muntashir revealed on Indian Idol that Shankar-Jaikishan started the trend of title songs in Bollywood with the 1949 film Barsaat. The lyricist shared this fascinating anecdote with judges Vishal Dadlani, Shreya Ghoshal, and Badshah. He also mentioned creating around 10-12 title songs himself and praised Dadlani's work on films like I Hate Luv Storys and Pathaan. The legendary music duo Shankar-Jaikishan went on to become influential names in Hindi cinema music.

Key Points: Manoj Muntashir Reveals Origin of Bollywood Title Songs

  • Manoj Muntashir reveals Shankar-Jaikishan started title song trend
  • First title song was from 1949 film Barsaat
  • Indian Idol judges Vishal Dadlani, Shreya Ghoshal, Badshah stunned
  • Lyricist mentions Pathaan and I Hate Luv Storys title songs
2 min read

Manoj Muntashir reveals how Shankar-Jaikishan started the trend of 'title songs' in Bollywood

Manoj Muntashir reveals on Indian Idol that Shankar-Jaikishan started the title song trend in Bollywood with Barsaat (1949).

"1949 mein aayi thi film Barsaat, aur Barsaat ka vo gaana sab ko yaad hoga 'Barsaat mein hum se mile tum sajan, tum se mile hum barsaat mein.' This was the first title song in a Hindi film. - Manoj Muntashir"

Mumbai, May 12

The upcoming episode of Indian Idol will see Manoj Muntashir share a fascinating anecdote about the origin of title songs in Hindi cinema.

During an engaging conversation on the show, Manoj turned to Vishal Dadlani and said, "Sawal hai ki pachhattar saalon se ye title songs ka jo trend chala aa raha hai, iski shuruaat kahan hui kabhi, aur kis se hui thi? Hindi cinema ka pehla title song kisne banaya tha, jaante hai?"

He revealed, "Shankar-Jaikishan ne. 1949 mein aayi thi film Barsaat, aur Barsaat ka vo gaana sab ko yaad hoga 'Barsaat mein hum se mile tum sajan, tum se mile hum barsaat mein.' This was the first title song in a Hindi film."

The lyricist further said, "Vishu sir, aapne itne filmo ke title songs banaye hai. Matlab I Hate Luv Storys se koi title song kaise bana sakte hai, vo inse suniye. Aur recently Pathaan, the iconic Pathaan ka gaana Shreya aapne itne saare title songs gaye hai. Saiyaara abhi haali mein kitna bada hit hua gaana."

Manoj further added, "Maine bhi kahi title songs likhe hai, mujhe toh lagta hai das-baarah toh likhe hi honge."

Talking about the legendary music duo, Shankar-Jaikishan, went on to become one of the most influential names in Hindi cinema music across the 1950s, 60s, and 70s.

Their unforgettable compositions include 'Awara Hoon' from Awaara, 'Pyar Hua Ikrar Hua' from Shree 420, 'Yeh Mera Prem Patra' from Sangam, 'Baharon Phool Barsao' from Suraj and many more.

Listening to this revelation, Indian Idol judges Vishal Dadlani, Shreya Ghoshal and Badhshah were left stunned.

- IANS

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Reader Comments

P
Priya S
It's fascinating how songs like "Barsaat Mein Hum Se Mile" paved the way for iconic title tracks like "Saiyaara" from Pathaan. The evolution from 1949 to today is incredible. But I wish modern title songs had the same soulful depth as those from Shankar-Jaikishan's era. 🎶
V
Vikram M
Manoj Muntashir always brings such interesting trivia! Shankar-Jaikishan were legends—their work in Awaara and Shree 420 still gives me chills. This is the kind of musical heritage we should celebrate more. Indian Idol doing a good job here!
S
Siddharth J
Honestly, the title song trend has become overdone now—every film needs a catchphrase repeat. But knowing it started with Shankar-Jaikishan's genius makes me appreciate the origin. They set a high bar that rarely matched today. Also, Vishal Dadlani's reaction was pure gold! 😄
R
Rohit P
What a revelation! Shankar-Jaikishan truly were ahead of their time. And Manoj Muntashir's own title songs for films like *I Hate Luv Storys* show how this tradition continues. Bharatiye cinema ka rich history hai, and this episode of Indian Idol captures it beautifully. 👏
M
Meera T
Lovely anecdote! But I wish Manoj had shared more about the cultural impact of those early title songs—they weren't just marketing tools, they told stories. Songs like "Awara Hoon" defined

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