Eros Innovation Unveils Asia's Sovereign AI Vision at Cannes Next 2026

Eros Innovation showcased "AI in Asia" at Cannes Next on May 14, 2026, highlighting sovereign AI and AI-native storytelling. The event featured Large Cultural Models (LCMs) trained on 1.5 trillion rights-cleared tokens, launched at the IndiaAI Summit. Panels discussed sovereign AI systems, consent-based voice AI, and new film financing models. The Eros Universe platform is set to launch globally in June 2026.

Key Points: Eros Innovation Shows Asia's Sovereign AI at Cannes

  • Eros Innovation showcased "AI in Asia" at Cannes Next on May 14, 2026
  • Programme highlighted sovereign AI and Large Cultural Models (LCMs) launched at IndiaAI Summit
  • Panels covered sovereign AI, AI-native storytelling, and future of film financing
  • Eros Universe platform launches globally in June 2026
3 min read

Eros Innovation showcases Asia's sovereign AI Vision at Cannes Next

Eros Innovation showcases Asia's sovereign AI vision at Cannes Next, highlighting Large Cultural Models, AI-native storytelling, and cultural infrastructure.

"We came to Cannes not to talk about what AI is doing to entertainment, but to show what happens when AI is built from inside culture rather than on top of it. - Kishore Lulla"

Cannes, May 15

Eros Innovation showcased "AI in Asia" at Cannes Next on May 14, 2026, highlighting the growing impact of artificial intelligence across Asia's media and entertainment industries.

The three-hour programme at Village Innovation, Pantiero, followed by a reception, brought together 200+ studio leaders, sovereign funds, government representatives, filmmakers, and technology companies to discuss sovereign AI, AI-native storytelling, and the future of film financing.

The programme highlighted Asia's development of AI-native cultural infrastructure through sovereign, rights-aware AI systems. Eros Innovation's Large Cultural Models (LCMs), launched at the IndiaAI Summit in New Delhi by MeitY, Government of India, as a sovereign AI initiative and trained on 1.5 trillion rights-cleared cultural tokens, formed the foundation of the discussions. The platform launches globally as Eros Universe in June 2026.

"We came to Cannes not to talk about what AI is doing to entertainment, but to show what happens when AI is built from inside culture rather than on top of it. The industry once embraced VFX because it expanded creativity rather than replacing it. We believe Cultural Intelligence is the next evolution, AI built responsibly to enhance creator value, protect identity, and unlock new forms of storytelling," said Kishore Lulla, Founder, Eros Innovation.

The programme opened with a keynote by Kishore Lulla and a fireside chat with Joerg Bachmaier, CEO of Studio Babelsberg, on AI's impact on large-scale film production while preserving human creative decision-making.

The first panel, Sovereign AI vs Platform AI - Who Owns Culture?, explored sovereign AI systems beyond dominant US and Chinese platforms. Speakers included Paul Trillo of Asteria Films, Alex Serdiuk of Respeecher, and Ridhima Lulla of Eros Innovation, moderated by Anssi Komulainen of the Finnish Innovation Fund Sitra. Topics included AI-native filmmaking, consent-based voice AI, cultural datasets, governance, and creator identity protection.

The second panel, AI-Native Storytelling - Not Assisted, Not Enhanced, Native, examined the shift from AI-assisted production to AI-native storytelling. Christina Caspers-Rohmer of Trixter (Cinesite Group), Shin Chul of BIFAN, Ridhima Lulla, and VFX supervisor Martin Madsen discussed AI-native character systems, evolving VFX workflows, and Asia's growing AI filmmaking ecosystem. The session was moderated by Mikael Windelin.

The final panel, The Future of Film Financing in the AI Era, examined how AI-driven cost compression and new financing models are reshaping film funding and ownership.

Speakers included Marc Iserlis of Republic and filmmaker Miguel Faus, whose debut feature Calladita became the first blockchain-crowdfunded film. Moderated by Piyush Bhatia of Eros Innovation, the discussion also referenced Eros Innovation's film securitization model.

- ANI

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Reader Comments

S
Sneha F
Sovereign AI vs Platform AI is the big debate right now. I'm cautious though - will these cultural models really protect creators' rights or is it another way for big studios to control content? Would love to see more transparency on how the 1.5 trillion tokens were collected and compensated.
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Vikram M
As someone who works in Indian media, this is a game changer. The VFX comparison is spot on - we embraced that and look at how our films evolved. Cultural Intelligence could do the same for our regional cinema. Imagine AI that understands Tamil poetry or Bengali literature natively! 👏
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James A
Interesting to see Asia taking the lead on sovereign AI. I'm from the US and we're still arguing about regulation. The blockchain-crowdfunded film model mentioned here is fascinating - could democratize film financing in ways we haven't seen yet. Though I wonder about scalability.
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Priya S
The panel on AI-native storytelling is what excites me most! Not just using AI to assist existing workflows, but creating entirely new forms of storytelling that are rooted in our cultural context. This could be huge for regional Indian cinema that often gets overlooked. Kudos to Eros for putting India on this global map!
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Rohit L
I appreciate the ambition, but let's not forget that AI still has massive energy consumption issues. Sovereign or not, if we're building large cultural models without addressing environmental impact, are we really being responsible? Hope the next discussion at Cannes includes sustainability.

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