Assam's Republic Day Tableau Spotlights Asharikandi's Terracotta Heritage

Assam's Republic Day tableau for 2025 is dedicated to showcasing the terracotta craft heritage of Asharikandi village in Dhubri district. The design features a central terracotta doll holding lamps, a traditional Mayurpangkhi boat, and live demonstrations by artisans. It celebrates the village's recognition, including a recent Geographical Indication (GI) tag for Dhubri terracotta. The display conceptualizes Asharikandi as a model of cultural entrepreneurship and self-reliance under the Atmanirbhar Bharat theme.

Key Points: Assam R-Day Tableau Highlights Terracotta Craft, Riverine Culture

  • Features iconic terracotta installation
  • Highlights riverine culture with traditional boat
  • Showcases live artisan work
  • Promotes self-reliance through traditional crafts
2 min read

Assam's R-Day tableau highlights Asharikandi's Terracotta heritage, riverine culture

Assam's 2025 Republic Day tableau showcases Asharikandi's terracotta craft village, celebrating GI-tagged heritage and Atmanirbhar Bharat spirit.

"celebrating heritage, resilience and self-reliance - official release"

New Delhi, Jan 22

Assam's Republic Day tableau this year will shine a national spotlight on Asharikandi, a renowned terracotta craft village in Dhubri district, celebrating the state's rich riverine culture and the spirit of self-reliance rooted in traditional livelihoods.

The tableau was previewed for media persons on Thursday at the Rashtriya Rangshala Camp in the national capital in the presence of Nodal Officer Bikram Newar and officials of the Cultural Affairs Department, Government of Assam.

At the centre of the tableau is a striking terracotta installation featuring a towering doll holding earthen lamps arranged in a circular formation, symbolising continuity, light and the enduring legacy of Assam's indigenous crafts.

The tractor-mounted structure is flanked by earthen sarai placed along bamboo fencing, underscoring the importance of bamboo as a sustainable resource and its role in the socio-economic life of the state. The trailer portion takes the shape of a traditional Mayurpangkhi boat, reflecting Assam's intimate relationship with its rivers.

Artisans are shown at work, moulding hiramati (local clay) into idols of deities such as Ganesh, Kartik, Durga, Lakshmi and Saraswati, offering a live depiction of the terracotta-making process.

A traditional pall (sail canvas) at the rear enhances the authenticity of the riverine theme. Conceptualised around the theme of Atmanirbhar Bharat, the tableau presents Asharikandi as a model of cultural entrepreneurship, where generations of artisans have sustained livelihoods through age-old skills adapted to contemporary markets.

The village stands as a symbol of self-reliance achieved through the preservation and promotion of traditional knowledge systems.

Located in western Assam's Dhubri district, Asharikandi is recognised as the largest terracotta and pottery craft cluster in the state. Its artisans are known for creating puttola-terracotta toys and idols-including the iconic Hatima doll.

The craft tradition dates back over a century, tracing its roots to pottery communities that migrated from erstwhile East Bengal in the early 19th century.

The village received national recognition through the late Sarala Bala Devi, who won the National Award for Terracotta Craft in 1982.

In March 2024, terracotta crafts of Dhubri district were accorded the Geographical Indication (GI) tag, further cementing Asharikandi's status as a centre of excellence.

Through its Republic Day tableau, Assam brings a living craft tradition to Kartavya Path, celebrating heritage, resilience and self-reliance, an official release mentioned.

- IANS

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Reader Comments

R
Rohit P
This is the real meaning of Atmanirbhar Bharat. Not just big industries, but villages sustaining themselves through generations of skill and knowledge. The GI tag for Dhubri terracotta is a proud moment. Hope this leads to more support and market access for the artisans.
D
David E
Visiting India and learning about these craft traditions is fascinating. The history mentioned, about communities migrating from East Bengal in the 19th century, shows how culture and art transcend borders. The tableau sounds like a powerful visual story.
A
Ananya R
As someone from the Northeast, I feel so seen and proud. Our region's heritage is so rich and diverse, yet often overlooked. Showcasing riverine culture and terracotta on Kartavya Path is a significant step. More power to the artisans of Asharikandi!
S
Suresh O
While the tableau is commendable, I hope this national spotlight translates into tangible benefits. These artisans often struggle with raw material costs and fair pricing. The government must ensure follow-up schemes for marketing and skill upgradation, not just a one-day show.
K
Kavya N
The symbolism is beautiful – the doll holding lamps for continuity and light. It reminds me of my grandmother's terracotta diyas. This is our soft power. We must buy local crafts and support these heritage clusters. Can't wait to see it on TV on the 26th!

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